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FIONA CAMPBELL
GRAPHIC DESIGN · ANIMATION · CREATIVE MEDIA
GRAPHIC DESIGN
VECTOR GRAPHICS · LOGOS · TEXT · ALBUM COVERS · WEBSITE DESIGN
D01
11 hope has a dark side
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HEADSPACE EXORCISM
2022
AMY MANTIS AND THE SPACE BETWEEN
For Headspace Exorcism, I worked with Amy Mantis and Eric Marshall to create artwork that tied into the ideas behind the album. We came up with the idea of a pendant made from different symbols, with each piece representing a different song on the record. We worked together to figure out what imagery best represented each track and how all of those individual pieces could come together as one design.
The pendant became the main artwork for the album and was later printed on Eric’s drum head, bringing the design into the band’s live shows as well. I loved getting to create something that wasn’t just album art, but became part of the visual identity of the record.
Headspace Exorcism was released in 2022 and was written by Amy Mantis and Eric Marshall.
D02
trailridge marketing final logo
trailridge marketing final logo
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TRAILRIDGE MARKETING
2019
From July 2019 to February 2020, I worked with Janine Laughlin, Owner and Marketing Strategist at TrailRidge Marketing, to develop a logo and visual identity for her marketing business. We worked through different concepts and revisions to create a design that reflected both her brand and the direction she wanted for the company.
During that time, I also collaborated with Janine on logo concepts for several of her clients, giving me experience designing around different businesses, audiences, and client feedback.
D03
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S.U.P.A. NATURAL & HEROES AND VILLIANS
LISA YVES
2024
I worked with Lisa Yves to create the album artwork for Heroes & Villains and S.U.P.A Natural. We wanted the artwork to have a bold comic book and superhero-inspired style, using dramatic imagery, color, and composition to create a world around the music.
The two projects gave us the chance to carry that visual idea across multiple releases, while still giving each album its own identity. I worked closely with Lisa throughout the process to turn her ideas and the themes of the music into artwork that felt playful, theatrical, and larger than life.
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